Showing posts with label other people's photos. Show all posts
Showing posts with label other people's photos. Show all posts

Sunday, November 8, 2015

Custom Flower Watercolors

It's that time of year to start thinking about holiday gifts - especially if you want to commission artwork!

The two examples here are of floral wedding bouquets. They were commissioned by a woman whose two daughters had recently married. She wanted a painting of each of their bouquets to give them as gifts. They make great keepsakes!

She sent me a photograph of each bouquet, which I worked from to produce the 8"x10" watercolor paintings.






The second one was harder to work from, since she had no close-up photo of just the bouquet, and I had to work from the bride's portrait.





You can order your own 8"x10" custom watercolor through my Etsy shop. Just send me a photograph of a flower bouquet, and I'll turn the image into a watercolor keepsake for you. You can email me your image at: afrownfe [at] gmail.com with "Etsy Painting" as your subject line, or go through Etsy's messages.

Keep in mind that it can take 2-3 weeks to complete and ship a custom painting like this. November is THE month to make your art commissions to make sure they're done in time for the holidays!

Of course, these do make great gifts all year round! Valentine's Day, birthdays, anniversaries... :)


Tuesday, November 3, 2015

The Female Aesthetic - Central Core Imagery

I talked a bit about the idea of a "female aesthetic" in a previous post - so if you're interested in where I'm coming from, it might be a good idea to start there.

The gist is this - In the early 1970s, Judy Chicago created the "Fresno Feminist Art Program" at Fresno State College in California. Her goal was to create a safe, collaborative environment where women artists could experiment with art, learn from each other, and "redo" their art (and art history) educations, which until that point had been exclusively distributed by men (male teachers), thus forcing an undesired male perspective on female artists and disallowing them from developing their "own forms, artistic language, and subject matter." (I'm paraphrasing a Wikipedia article here, only because I am too lazy to go dig out my old art history articles/textbooks/etc. But what I learned in school about this movement is exactly the same thing.)


Miriam Schapiro, Big OX, 1967, acrylic on canvas.Image from Art News
http://www.artnews.com/2015/06/23/miriam-schapiro-pioneering-feminist-artist-dies-at-91/ 

What these fifteen women discovered, working together, was that there were similarities to some of their works - despite the range in media and style (abstraction, realism, etc.). Many of their pieces involved a "central image," which Judy Chicago interpreted as a vaginal/womb symbol. She (and other artists) developed this idea of "central core imagery" further in their artwork into the '70s and '80s. (Read a bit more about that here.)


Judy Chicago, Untitled Test Plate #6, 1974. China paint on porcelain, 14 in. in diameter, 1 1/4 in. in depth.
Image from Crocker Art Museum
http://legacy.crockerartmuseum.org/exhibitions/exhibitions/past-exhibitions/683-surveying-judy-chicago-1970-2010

This is what I often think of when making my own art - this "symbolic vagina." I used this literally for my thesis at EMU (using flowers as stand-ins for female genitalia to bring up subjects like rape, sexual violence, and female genital mutilation).


"Feminine Layers" - 22"x20" Watercolor Painting on Paper, 2009 - by Andrea Arbit

"Silk Caution" - 22"x30" Watercolor Painting on Paper, 2009 - by Andrea Arbit

In the years since, I think of this "central core" as less genital-specific and more like a woman's soul, essence, marrow, etc. These circles, flowers, etc. represent women/femininity/females specifically because of the historic equation with such shapes and female genitalia, but it's not really the genitalia I'm after so much as the elusive "core" of a woman's being, the "meaning" of a woman's life (the core of my being, the meaning of my life). The Brooklyn Museum link I posted above says that Chicago asked for "her vaginal imagery be read not literally, but metaphorically, as an active and powerful symbol of female identity" - and that's what I'm getting at when I think of "central core" imagery, too.

Plus, this way the imagery isn't limited to ciswomen with female genitals. Anyone who identifies as female - even someone who identifies as male but is fine embracing the feminine aspects of himself - can participate. GNR - Genitals Not Required.


This painting is even older than my thesis works, but still shows evidence of that "central core" idea
"Earring Close-Up" - Watercolor Painting on Paper, 2008 - by Andrea Arbit

Many of my floral colored pencil drawings (especially the ones that are close-ups of the centers of flowers) seem to fit this aesthetic.


"Dying Roses" - 5x7 Colored Pencil on Black Paper, 2014 - by Andrea Arbit

"Radiant Dahlia" - 5x7 Colored Pencil on Black Paper, 2015 - by Andrea Arbit

"Rose with a Hint of Aqua" & "Rose with a Hint of Purple" - 5x7 Colored Pencil Drawings on Black Paper, 2015 - by Andrea Arbit

Many of my pattern watercolors also fit this aesthetic.

I've always enjoyed symmetry, especially radial symmetry. Often in middle school/high school math class, I would use graph paper not for making graphs but for drawing geometric patterns radiating out from a central square or from one of the binder punch holes on the left of the paper. Radial symmetry calms me - it's calming to create, and it's calming to look at.


"Pattern Elizabeth in Pink and Purple" - 4"x6" Watercolor Painting on Paper, 2015 - by Andrea Arbit

"Pattern Fortia in Blue-Green" - 4"x6" Watercolor Painting on Paper, 2015 - by Andrea Arbit 
"Pattern Organza in Blue-Violet" - 4"x6" Watercolor Painting on Paper, 2015 - by Andrea Arbit

"Pattern Tamika in Yellow-Green" - 4"x6" Watercolor Painting on Paper, 2015 - by Andrea Arbit

"Pattern Victoria in Yellow-Pink" - 4"x6" Watercolor Painting on Paper, 2015 - by Andrea Arbit

"Pattern Darcy in Red" - 5"x7" Watercolor Painting on Paper, 2015 - by Andrea Arbit

"Pattern Sherelle in Yellow, Purple & Pink" - 5"x7" Watercolor Painting on Paper, 2015 - by Andrea Arbit

I'm not saying that men can't produce "central core" artwork, or can't relate to it. (We're all born of women, after all; we all know women.) I'm only saying that I often notice a "central core" style in my artwork - not something that I consciously intend, but something that creeps up because it's a composition or a shape that I'm drawn to - and then when I do notice that, I tend to attribute it to my "femaleness" (a "femaleness" I'm proud of - thanks to that Great Goddess article I read in high school, which I talked about in a post yesterday).

Maybe you don't buy that - that there's a female aesthetic, that females and males could experience the world differently, have different internalized symbolism based on the way their bodies are wired. I'm not sure I entirely believe it either; I'd like to think I'm more than my XX chromosomes. But it is something I think about - usually after I've already finished a piece, when I'm on the "other side" of its creation and have the opportunity to step back and consider what it is, what it looks like, what it reminds me of, where it came from.

Friday, September 18, 2015

Weeding Out Negativity

The other day I was thinking about negativity - and how it seems to keep invading my thoughts, and how I always feel like such a failure when I realize I've let it return again.

Then I went outside to water some new trees we had planted in our backyard this summer and noticed that there were new weeds growing up through the mulch... even though we'd just sprayed for weeds a few days ago and killed most of them. And it hit me that negative thoughts are the weeds in the garden of my brain.

(I never promised this blog would be free from cliched metaphors.)


(Image from gardening.wikia.com)

No matter how often I might spray the weeds or spend time pulling them out of the ground, I never expect that I'll tame nature completely and never have to weed my landscaping again. I know they'll come back. I don't blame myself personally when they do. I also don't get too depressed about the futility of the exercise... I know nature's just doing what it does, and I'm just doing what I do as a conscientious human living in an American subdivision that has certain standards for its lawns.

Yeah, I'll be pulling weeds for the rest of my home-ownership days, but whatever. It has to be done. I often wait until it looks really bad - because I'm lazy, just like the rest of y'all - but when it gets to the point where I can feel my neighbors' judge-y stares on the other sides of their windows, I get to it. I know it's best for my lawn and my newly planted trees and my other plants and flowers if they don't have to compete with weeds for the resources they need, so I sacrifice some time and energy to get the job done.

If I'm willing to do that for my lawn - why is it so hard to prioritize and do for my mental health?

-

Side note/disclaimer -

I do not have clinical depression (though the term dysthymia has been tossed around in the occasional therapy session), and I'm not on any medication. I say this just to clarify that when I say "negative thoughts" I mean little anxieties and persistent worries - "I'm useless," "I got nothing done today," "All I do is self-sabotage and make life harder for myself," "Why can't I stop being so hard on myself?" "God, Andrea, you're the worst, hahahaha." It is nothing so serious as "God, Andrea, you are The Actual Worst, please go kill yourself."

I am talking about negative thoughts that can be conditioned to go away - or at least fade into the background. And I've been regularly seeing a therapist to help me do this. I am not advocating that what might work for me might work for anyone else. I am not a psychologist. Please refer to a professional if you need advice.

And if your negative thoughts are to the point where you're thinking about killing yourself, here is the suicide prevention hotline you should call (in the U.S.): 1-800-273-8255. Also, please know that other people love you, even if you're not quite sure how to love yourself.

-

Dandelions - (Image from Wikipedia)


So back to my weeds. There are two ways to get rid of plant-weeds - 1) preventative sprays, and 2) pulling the weeds out (at the root if possible).

Similarly, there are two tactics for trying to quell negative-thought-weeds - 1) training myself to be more positive, to prevent the negative thoughts from popping up in the first place, and 2) recognizing negative thoughts when they do show up, and convincing myself not to listen to them.

The thing with pulling up weeds (either kind), is that the longer I let them sit there before I address them, the harder they are to get rid of once I decide to get around to it. Their roots get longer and more established, they breed and produce more weeds, and they start clogging out the good things I want around - like flowers and positive thoughts.

What I really need to do is be more proactive. I need to use the first method more often - I need to give myself compliments and recognize when I've done something I should allow myself to be proud of, I need to breed positivity so that some of those negative thoughts won't come around at all.

And I also need to more consistently weed out the negative thoughts when they do show up. I need to recognize faulty reasoning and replace it with actual logic.

Instead of thinking: "This will never work. I'll never sell enough art to make a living at it; I'll never find a literary agent and get my novels published" - I need to think: "I've actually sold quite a few pieces already, and I have a lot of great marketing ideas that I just need to follow through on, and who knows what good might come from it? And there are many avenues to take - both to sell artwork, and to publish a novel - and if one avenue doesn't work, there are others I can try. And also, I really am a good artist and a good storyteller, and whether or not there is a market for the stuff I create has no actually bearing on the quality of said stuff, nor myself as a person."

If I pull up that particular weed enough times by examining it and convincing myself it has no real basis in fact, maybe eventually it will stop growing. Or maybe this is a particular insecurity of mine that won't ever really go away, and I'll have to keep pulling up the weed over and over again.

But if/when it does come back, I shouldn't blame myself for "letting it" return. I can't give it that kind of power. It's not my "nemesis." It's just a weed. And I can pull it up and discard it a hundred times if I have to. It's not that fucking hard. It's just a weed. I pull them out of my yard. I can pull them out of my head, too.

It's not an exercise in futility. It's an exercise in resilience. Positive people take the time to be positive. They schedule time to recharge, schedule time to do the things that make them happy. It's proof that they're prioritizing the right things.

So that's my goal. To go through and weed out my head - and my yard - on a more regular basis.