Monday, February 29, 2016

Creative Legacy

I often feel like I'm part of (or trying to be a part of) a long-standing creative legacy. This isn't always a good or easy legacy; there are stereotypes of the "starving artist" and well-known connections between artists and mental health problems, which I'm definitely aware of, often fascinated by, and occasionally worry about (with regards to how such traditions might impact me, how others label me, or the work I create).

But besides the broad legacy of all creative people throughout time and the Western tradition of art and writing, there's also a more personal creative legacy - that of my family.

Like many things, it's hard to tell if it's nature or nurture that might encourage traits like creativity to run in families. Do we like art and writing because of some genetic programing passed down through our families? Or do we like such things because these activities were modeled for us (consciously or not), or because our families encouraged us to read or explore art?

In the case of my family, there isn't a clear person I looked to. None of my relatives have made a living off creating art or writing stories; those who are creative pursued such interests as hobbies rather than their professions. Still, I feel like there are enough people in my family who have such interests that it's worth noting.

My dad currently works as a manager at a print center for DTE Energy in Detroit, but has also held jobs in computer networking. He likes computer hardware and has been known to build computers from scratch. Growing up, he loved photography (this was before the age of digital photography, so we're talking film and darkroom techniques), and did some drawing in his spare time. My grandma tells stories of him holed up in his bedroom listening to The Beatles and practicing drawing portraits. And he also enjoys making videos - photography slide shows and training videos conveying information, both for work and at home.

My mom also had some creative hobbies growing up. She did a lot of sewing and embroidering and has shown me samples of some of the things she made as a teenager.

Perhaps the most obvious example is my grandma (on my dad's side), who over the years has found hobbies in writing poetry, coloring books, sewing, and painting. She has also kept handwritten journals for years (as I do), writing daily.

I also have crafty aunts - one who learned guitar and sings songs and puts on puppet shows for the kids at her church (and who did many craft projects with me and my cousins over the years, including a memorable "Egyptian pharaoh" costume that we created with metallic fabric and painted pistachio shells), and another who is into stamping and paper work, designing and stamping her own Christmas cards every year. These are not blood relatives, but are further examples of how I was encouraged to be creative when I was growing up.

Continuing to look toward relatives not related to me by blood, my husband's family also has some artists. His late great-uncle was a painter (we have a few of his paintings hanging in our house). Even my husband himself is creative - in college, we often spent time writing song parodies, funny Harry Potter-inspired rap lyrics, and exchanging short stories we'd written.

Looking at these examples often does two things for me -

First, it makes me pretty proud that I get to be a part of this creative tradition in my family - and also validates my experience. Theoretically I would be happy acknowledging my artistic or writing inclinations even if no one in my family ever shared similar interests, but because they do I feel like it's okay that I do, too - that indeed I'm meant to like such things, or perhaps have a natural talent for them.

Secondly, it makes me wonder if I'm putting too much significance on my creativity. If it's so common that several of my family members have pursued creative projects as hobbies, then why do I think I'm special? None of them have felt compelled to make their creative interests into a viable career. Am I only kidding myself in thinking that I could actually make money as an artist or a writer? Am I better off keeping my art and writing to myself, as most of my other relatives have done? Or do I just have such doubts because none of my relatives have tried to cultivate their hobbies into careers - and thus have no example to follow, no person to model myself after or pick her or his brain for advice?

I feel like I am often torn between such seemingly contradictory feelings. High self-esteem and low self-esteem. Which one is truer to my real feelings? Am I not so deep or despairing as I think, and only "activate" my low self-esteem so that I feel like I belong with all the artists and writers before me who have suffered with issues in confidence - or because, as a woman, I've been conditioned to downplay success, put others first, and think of certain aspirations as outside of my talents or outside of my reach? Or am I actually more inclined to my anxieties and doubts, and only developed what little (or well-hidden) belief in myself that I do have as a way to compensate for the not-so-great feelings of constantly questioning if I'm "good enough"?

Does it matter which came first? I suspect everyone goes through such fluctuations at different times in their lives - thinking, for example, that they're good enough at art or writing that they might make a career out of it and that such a goal is worth pursuing while also wondering if they're insane for even trying. Perhaps creative people have such fluctuations more often - or anyone else who works in a professional field where so much rides on what critics say and who you can convince to like and purchase your work. Actors. Writers. Musicians. Chefs. Entrepreneurs. There are a lot of unstable jobs out there where you don't always know when your next paycheck is coming - and without that immediate, predictable, and stable monetary validation, it can be hard to balance confidence levels. You have to believe in yourself and your projects - so that you work on them and make it to the next paycheck - but such continual efforts to prove yourself and the worth of your work is also bound to take its toll on self-esteem.

In any case, I am very lucky that I have a family who supports me while I try to figure this creativity thing out. I don't take their support lightly, and am immensely grateful. :) 

Sunday, February 28, 2016

More Roses with a Hint of Yellow & Orange

As I teased yesterday, I have a second 5"x7" colored pencil drawing of roses using the same limited four-color palette of white, dark brown, yellow, and orange. This one is aptly titled "More Roses with a Hint of Yellow & Orange" and is available for purchase through my Etsy store.

Here is the final piece:








I took step-by-step photos to document the progress of this work, following the same order as the previous drawing. First, I added the highlights with white Prismacolor colored pencil. I used Strathmore tan toned paper as my surface.




Once the highlights were in place, I added shadows with a dark brown Prismacolor colored pencil.






Finally, I added those subtle hints of yellow and orange. It was September when I completed these pictures, and I was looking forward to fall - so yellow and orange and brown was a color scheme that was on my mind at the time!




I think these two drawings would look great paired together on a wall! Each comes with a 8"x10" white Crescent mat suitable for framing (as all of my 5"x7" colored pencil drawings do). Both are available for purchase through my Etsy store.





Saturday, February 27, 2016

Roses with a Hint of Yellow and Orange

I was going through these blog posts recently and realized that I have a few colored pencil drawings I finished last year that I put up on Etsy but never got around to discussing on this blog. Oops!

So without further ado, here is the 5"x7" colored pencil drawing "Roses with a Hint of Yellow and Orange," which is available for purchase on Etsy here.









I also took photos of this drawing while I worked on it. Here is the first step - adding white. I used Prismacolor brand colored pencils on Strathmore tan toned paper. You can also see the source photo I used in these pictures - a photo of dry roses that I'd taken and manipulated to grayscale in Photoshop, printing it off in black and white.






After I had the highlights down, I added the shadows. Because it was tan paper, I decided to use a dark brown colored pencil for the shadows instead of a pure black.








Finally, I decided I wanted a little color after all - even though I had initially planned to keep it in the sepia white-brown spectrum. So I added just subtle hints of orange and yellow throughout the roses.

Adding yellow -


Adding orange -




Here are some more images of the finished drawing:








"Roses with a Hint of Yellow and Orange," is available for purchase on Etsy here. I also have a companion drawing that pairs with this one - "More Roses with a Hint of Yellow and Orange." I'll show those step-by-step pictures tomorrow.

Friday, February 26, 2016

New Acrylic Paintings - Instagram Posts

I shared many of these photos in the last two blog posts, demonstrating how I made the designs for my six new in-progress paintings, and how I transferred those designs onto acrylic paper. But there are also some new pictures here of the start of the painting process for those first two 8"x10" paintings.

These are all pics I put up on Instagram in the last two weeks. They're in reverse chronological order (newest uploads first.)

I've gotten some great feedback on these, with quite a few "likes"! :)

















Remember - if you want to see my newest stuff, follow me on Instagram (@afrownfe)! I often post pictures of my artwork there while I'm working on them, but don't get around to adding the photos and descriptions to my blog here until days (or weeks) later, once I have time to upload the photos and sort through them and write up an entry.

These paintings aren't done yet - I still have to add the darkest background color.

Thursday, February 25, 2016

New Acrylic Paintings - Prep Work

Yesterday I showed how I made the compositions for my six acrylic paintings. Today, I will continue on that prep-before-painting journey by showing how I transferred the designs I'd perfected onto acrylic paper.

I used a pad of Strathmore acrylic paper that I'd found when reorganizing my studio - probably leftover paper from that 2D Design class I mentioned in yesterday's post. My other materials were a General's Woodless graphite pencil (woodless so that it would shade large areas better), a cotton round to help smear the graphite around, and a pen to trace my image.

(My apologies for the quality of these pictures. I was using my phone, and apparently it can't handle the flickering light of the fluorescent bulbs in my basement studio. I turned the photos to grayscale so the yellow stripes wouldn't be so distracting... but they're still pretty bad.)

First, I used the woodless graphite pencil to color the back of one of the composition printouts.





I smeared the graphite around with a cotton round until the whole back was covered nice and dark.




Then I taped the design (graphite side down) onto my acrylic paper, so that the papers wouldn't move around while I was tracing.




Then I simply traced over all of my lines again with a pen - the lines that divided between the three colors, and the lines of the pattern I'd added. The pressure of the pen pushes the graphite from the back down and transfers it over to the acrylic paper.






I then repeated this process for the other designs. For a design like my sunflower, where I knew there were areas that wouldn't have any lines that needed to be transferred to the acrylic paper, I didn't bother to waste graphite.






Here are the first two designs transferred onto the acrylic paper - the impatiens image and the sunflower image.




Since taking these photos, I've done a lot of work on these two acrylic paintings, adding a yellow-orange layer for the lightest parts of the design, a light-medium shade of blue for the mid-tones, and dark red-violet for the pattern. I still have to do the final color - which I think I will finish in a shade of blue-violet that is darker (so dark that perhaps it is almost black), so that it will not blend in too much with the red-violet pattern.

Once I finish these two 8"x10" paintings, I will follow these same steps to transfer the next two designs onto acrylic paper, and then the next two. In this way, I'll do all six paintings. I plan to use the same color scheme for all six, so that they could work together as a series or set. I think they'd look great all hanging together on a single wall. But I still have a lot of work to do on these little guys, and who knows...? Perhaps my plans will change as I go.