Showing posts with label credentials. Show all posts
Showing posts with label credentials. Show all posts

Tuesday, December 31, 2019

2019 Art Year in Review

I finished a LOT of art in 2019 - first as a way to distract myself/give myself other goals to work toward other than trying to get pregnant, and then, once I was pregnant, to finish as much new artwork as I could. I wanted to make sure I had plenty of recent art to sell and make notecard prints of in 2020, even if creating more new artwork was less feasible once I had the baby - and therefore less time (at least temporarily, until I settled into parenthood) to devote to art.

Below are some of my art and social media highlights from 2019:



  • I was commissioned to create a Great Lakes watercolor, with colors to match an old watercolor painting I completed in college (and which the commissioner also purchased). It was a lot of fun to create a new piece of artwork with the same color scheme I'd used a decade earlier! (Read the blog post about the process here.)


  • I had three large colored pencil drawings - Race Bouquet (Stronger Together), Gender Bouquet (Stronger Together), and Sexuality Bouquet (Stronger Together) - shown at the Northville Art House's Fine Point Colored Pencil Exhibition in May. Even better? The set was awarded an honorable mention - which is that green ribbon hanging on the wall next to them! (Read the blog post about the exhibition here.)



  • I completed two sets of alphabet watercolors - a floral set and a rainbow/paint splatter set - totaling 52 small watercolors altogether. I then scanned in each painting and created initial notecards, which have been selling well in my Etsy shop (you can find the listing for the floral letters here, and the rainbow letters here), and at the Paint Creek Center for the Arts in downtown Rochester, MI. (I made several blog posts about the process of painting the originals and creating notecards, but you can read the posts about the finished notecard sets here, and here.)





  • I finished thirteen 8x10 colored pencil drawings of flowers. Though I like them all, my five favorites would probably have to be Strength (on tan paper), Transformation (on green paper), Fame (on red paper), Immortality (on blue paper), and Balance (on gray paper). (I haven't posted the in-progress pictures of Balance on this blog yet - but look for that post coming in 2020!)



  • I completed some watercolors for our nursery (more on those to come in blog posts scheduled for Jan-Feb 2020, but here's a sneak peak, above).



  • I also painted several patterned watercolors, ranging in size from 4x6 to 8x10. My hope is to frame a lot of these patterned sets and find a gallery to show my entire pattern watercolor collection soon. (More on these in future blog posts scheduled for 2020 as well!)




(Want to know what I was up to in 2018 as well? Check out this post.)

I'm proud of myself for how much artwork I churned out in 2019, and I'm excited to see what 2020 will bring!

As always, if you want to purchase some of my artwork, you can check out my Etsy shop here, or you can contact me to commission a piece at afrownfe@gmail.com.

Monday, December 31, 2018

2018 Art Year in Review

I kind of lost steam in the second half of this year, as life got in the way - but I still managed to accomplish a lot in the first several months of 2018, and I've got a lot more planned for the first months of 2019 as well! Below are just some of my art and blogging highlights from 2018.
  • Some of my colored pencil drawings from the Canton Village Theater's GRRRLS Like Us exhibition (Nov-Dec 2017) were featured in a Heaven Spot episode of Detroit area artists. The video premiered at Young Felix Loft on January 19, 2018; you can read about my experience at the premiere party and watch the video here.


  • My colored pencil drawings "30 Days" and "28 Years" were hung at the Grosse Pointe War Memorial from July 12 to August 19, 2018, as part of their "Flower Power" Art Exhibition.
  • My Etsy shop continued to see sales throughout 2018, especially for custom watercolor bouquet commissions, original Great Lakes watercolor paintings, and art print notecards.



  • This blog, "Until the Water Falls," hit 15,000 total views, and two of my posts from this year entered my "Top Three" most viewed posts: Entitlement (which has nearly 230 views) and Missed Miscarriage (which is now my most viewed blog post, with 460+ views).
  • I received lots of great comments on several Instagram pics this year, with some posts earning close to 90 "likes." Follow me on Instagram and Twitter to see more posts in 2019!









What I love about looking back at the last twelve months is that even if there were a few months where I felt "not productive enough," I can still look at the year as a whole and marvel at everything I accomplished. Like any year, 2018 had highs and lows; if I focus on the high points, I can see that I really have a lot of positives in my life - which helps me get excited for the plans I have in the works for 2019.

Thank you to everyone who continues to read my blog, follow me on social media, purchase artwork from my Etsy shop and just generally support me in my artistic endeavors and in life!! :) In 2019, you can look forward to more colored pencil drawings, more watercolor paintings, and more personal vulnerability, as I write about my artistic journey and life journey on this blog. Happy new year!!

Friday, September 28, 2018

Art & Apples Juror

I recently had the pleasure to act as a festival juror for the Art & Apples fest in Rochester, Michigan the weekend of September 7-9. I have worked with the Paint Creek Center for the Arts (which puts on the Art & Apples festival) in other capacities before, and currently have several original artworks and notecard prints for sale in their year-round art market, and I was honored that they asked me to participate as a festival juror for them.

I looked at the quality of the individual pieces for sale, as well as the overall booth aesthetic (i.e. how well the artists were utilizing their booth space, engaging with visitors, or drawing people over to their booth) and gave each booth a score on a scale of 1 to 7, seven being the highest. There were other jurors also walking around giving scores; at the end of the day, all of our scores will be tallied and averaged together to see which booths were ranked the highest and which artists will be given jury-exempt status for returning to participate next year.

I love the Art & Apples festival because they do such a great job at bringing in a variety of artists (and at a variety of price points) so there truly is something for everyone. There were more than 250 artists in attendance, representing 18 categories: 2D Mixed Media, 3D Mixed Media, Clay (Functional), Clay (Non-Functional), Digital Art, Drawing, Fibers (Non-Wearable), Fibers (Wearable), Glass, Jewelry (Metal), Jewelry (Non-Metal), Leather, Metalsmithing, Painting, Photography, Printmaking, Sculpture, and Wood.

Afterward, I remarked to my husband that if I had "unlimited money and unlimited storage space in our house," I would've purchased SO MANY things. I was really impressed by a lot of the booths. I saw gorgeous purses and backpacks, adorable birdhouses, beautiful indoor wall art, functional wooden kitchen utensils and serving dishes, fun Halloween decorations and costumes, colorful pottery, gorgeous photographs and paintings, whimsical outdoor garden art, many Michigan-themed gifts, and hilarious witticisms printed on notecards, tea towels, baby onesies, t-shirts, and wall plaques. As I was walking around, I also saw an artist being interviewed for local ABC-7, an artist and recent purchaser posing for a photograph, holding up a large painting that had just been sold, and quite a few artists demonstrating their technique right in their booths, making art en plein air.

I started going around and jurying as soon as the festival opened at 9 am, and by 11:30 am it was getting harder to judge the booths - because there were already so many people walking around the festival and cramming in to look at all the art, that it was difficult to fight the crowds and get a good look at everything. Art & Apples really brings in a lot of visitors and art enthusiasts, and it was great to see so many people out and about on a beautiful fall day, enjoying themselves looking at quality artwork against the backdrop of music provided by the local high school marching band and the delicious smell of elephant ears and roasted almonds in the air. I'm so grateful that PCCA gave me this opportunity to act as a juror - it was a great excuse to walk around and make sure I got a good look at every single booth. :)

Friday, January 12, 2018

Upcoming Event: Heaven Spot Salon Night at Young Felix Loft

Exciting news!

My colored pencil drawings from the recent GRRRLS Like Us exhibition are going to be featured in Heaven Spot's latest episode of Detroit area artists, which will be shown at their Salon Night event one week from today, on Friday, January 19th, from 8 - 10 pm.

In addition to a viewing of the episode, there will be acts from movement group People Dancing, musician Greg Panzica, and a scene from Young Fenix's production of "For Colored Girls" by Ntozake Shange. Fellow colored pencil artist Mariel Collins and I will be there to answer questions about our artwork.

Heaven Spot is a group dedicated to promoting local artists and Young Fenix is a nonprofit organization committed to building community through art and activism - an artist creative collective located in the Detroit Eastern Market district.

The event will take place at the Young Fenix Loft at 1440 Gratiot. Entrance and parking are accessible in the rear of the building on Service St., off of Russell. Doors open at 8 pm. Admission is $10 and can be paid in cash at the door.

For more info or to RSVP on Facebook, visit: facebook.com/events/159425498022053/

Friday, October 27, 2017

Upcoming Exhibition: GRRRLS Like Us (Nov 7 - Dec 3)

I'm excited to announce that I will be part of "GRRRLS Like Us" - an art exhibition at the Village Theater in Canton, Michigan from Tuesday, November 7 - Sunday, December 3, 2017. This is a two-person show I'm sharing with Mariel Collins, a fellow colored pencil artist (and someone I went to high school with), and we both will have several large-format colored pencil drawings on display.




The opening reception is November 7 from 7 - 9 pm. There will be free wine, cheese/crackers, and homemade cookies to enjoy while you look at our kick-ass colored pencil drawings, so if you are in the metro-Detroit area, please come check it out! (Click here to see the Facebook event.)

The drawings that I will be contributing to the exhibition include:

  • 30 Days - Size 22"x30"
  • 28 Years - Size 22"x30"
  • Race Bouquet (Stronger Together) - Size 19"x25"
  • Gender Bouquet (Stronger Together) - Size 19"x25"
  • Sexuality Bouquet (Stronger Together) - Size 19"x25"
  • Religion Bouquet (Stronger Together) - Size 19"x25"
  • Class Bouquet (Stronger Together) - Size 19"x25"
  • Ability Bouquet (Stronger Together) - Size 19"x25"
  • White Poinsettia - Size 8"x10" (on tan paper)
  • Hydrangea Hues - Size 8"x10"
  • Endurance - Size 8"x10"
  • Anticipation - Size 8"x10" (on tan paper)
  • Shame - Size 8"x10" (on tan paper)
  • Dying Roses - Size 5"x7"
  • Norfolk Rose - Size 5"x7"
  • Radiant Dahlia - Size 5"x7"
  • Flowering Herb - Size 5"x7"
  • Pink Impatiens - Size 5"x7"
  • Purple Rose Trio - Size 5"x7"
  • White Rose - Size 5"x7"
  • Tulip Bouquet on Purple Ground - Size 5"x7"
  • Rose with a Hint of Purple - Size 5"x7" (on tan paper)
  • Rose with a Hint of Aqua - Size 5"x7" (on tan paper)
(Unless otherwise noted, the drawing is on black paper.)

All of these drawings will be matted and framed and available for purchase during the length of the exhibition. Anything that doesn't sell at the Village Theater I will be listing on Etsy in December.

In the meantime, you can purchase notecard prints of many of these drawings in my Etsy shop now.

"28 Years" Colored Pencil Drawing by Andrea Arbit - Size 22"x30"

Below are my bio and artist statement for these drawings that I submitted to the Village Theater.

**

ARTIST BIO


Andrea Arbit graduated with a BFA in watercolor and graphic design from Eastern Michigan University in 2010. Her artwork has been exhibited at the Scarab Club in Detroit, in EMU galleries, in the pop-up Downtown Rochester Gallery Art Stroll, and at the Paint Creek Center of the Arts. Her award-winning senior honors thesis, "Flower Symbolism as Female Sexual Metaphor" - which infused historic and cultural symbolism into a series of watercolor paintings of radiant, concealed, wilting, and injured roses - was featured on ARTV's "L'Art Erotique" television program in Quebec in 2016. 

Andrea grew up in Canton and has loved drawing with colored pencils on dark backgrounds for more than a decade - ever since taking Intro to Art, Drawing/Sketching, and AP Art at Salem High School. She currently resides in Rochester Hills.

**

ARTIST STATEMENT

I use symbolism in my artwork to add layers of meaning to traditionally beautiful floral scenes. These symbols come from art and literature created by different cultures throughout history, and from the explicit code the Victorian Era left us, which assigned plants to specific emotions, characteristics, or messages. On top of this foundation, I also build new metaphors, where I bring in my own interpretations, feelings, and aspirations by carefully considering a flower's color, appearance, age, or placement within a composition.

Some of these drawings tell personal stories, made more accessible through the use of flower symbolism. My drawing titled "30 Days" depicts my emotional and physical health over a thirty-day period. By contrast, "28 Years" attempts to chronicle my entire life to date, summarizing each year with a mini-drawing of two plant species.

Other drawings make political statements. My six-piece "Stronger Together" series uses an assortment of flower species to represent differences in race, gender, sexuality, religion, social class, and ability. Each drawing demonstrates the beauty found in diversity by grouping two dozen different plants into a single arrangement, and asserts that our society would be better off if we recognized, respected, and celebrated everyone - not in spite of their differences, but because of them. 

Though I put a lot of effort into infusing meaning into my works, I'm also open to other's unexpected interpretations. I'm a firm believer that art is about connection. Once art is released into the world, it does not live in a vacuum; it can change and grow with exposure, and becomes, at least in part, what other people make it. However, if you would like to read more about the symbolism I intended, and the process of creating these drawings - from conception to sketching to final product - please visit my blog at untilthewaterfalls.blogspot.com.

**

I'm very excited to be a part of this exhibition alongside the talented Mariel Collins! Please come out to the Village Theater to check out our drawings - we'd love to see you there! :)

Saturday, December 31, 2016

2016 Art Year In Review

I got a lot accomplished this year with regards to my artwork!


  • My watercolor "Silk Caution" (part of my 2010 thesis painting series) was featured in the Scarab Club exhibition "Blooms Beasts Bugs" in Detroit, MI in May.

  • In June, I was invited to be a part of the Paint Creek Center for the Arts Spring Gallery Stroll. I displayed several watercolors, acrylic paintings, and colored pencil drawings in a "pop-up" one-night-only personal gallery in Smith Jewelers in downtown Rochester, MI - and even sold two drawings.

  • My artwork was available for sale in the PCCA Art Market all year - including August, when I was given my own "featured artist" table.
  • I scanned in many of my original paintings and drawings and created art print blank notecard sets, which have been selling moderately well at PCCA and through my Etsy store.



  • I collected a lot of photographs to use for future art compositions - including photos of the colorful autumn leaves, a ton of pics from the Michigan Orchid Show in April, and many images of flowers and plants growing in my own backyard, the yards of my relatives, and public spaces like downtown Rochester and my local library.


  • I gained new followers on Instagram and Twitter - and did my best to post an image of recent artwork on Instagram at least a few times a week to reach new people on social media.
  • And I completed a LOT of cool art projects. Here are some of my favorites:










You can find many of these for sale at my Etsy shop: etsy.com/shop/ArtworkbyAndreaArbit

I hope you continue to follow me on this blog as well as my Twitter and Instagram accounts as I keep creating into 2017! Happy New Year, everyone!

Wednesday, May 4, 2016

Scarab Club Exhibition

I'm pleased to announce that one of my paintings, "Silk Caution," has been selected for the juried "Blooms, Bugs, Beasts" Exhibition at the Scarab Club gallery in downtown Detroit!




This 22"x30" watercolor painting was completed as part of my Eastern Michigan University senior honors thesis series in 2009-2010. It was also recently included in a French-Canadian art documentary TV series "L'Art Erotique" on ARTV (February 2016). For analysis on this painting (and the other works in that thesis), search the "thesis" tag on this blog or read my thesis here.





The Exhibition runs from Wednesday, May 18 - Saturday, June 25, 2016. There will be a reception Friday, May 20th, from 5-8 pm. The Scarab Club is located at 217 Farnsworth St. in Detroit.

Hope to see you there!! :)

Friday, March 18, 2016

L'Art Erotique Recap: What's in a Name?

My episode of ARTV's L'Art Erotique docuseries, Desirs Secrets, aired in Montreal in early February. Though the video of it is up on Vimeo, it's for private access only (otherwise I'd link it here). It was (of course) all in French, and I haven't had time to translate it all yet to see exactly what they said about my art, but from what I can glean so far it seems to be a pretty accurate representation.

I'm very grateful for the opportunity to get my work seen by more people, but I do have a major complaint. They listed my name as "Andrea Frownfelter" on the video, even though I expressly told them many times that my name is now "Andrea Arbit."

I understand the confusion - they contacted me to be a part of their docuseries because they found and read my thesis online (which you can read for free here: http://commons.emich.edu/honors/238/). I wrote this thesis in 2010, the year before I was married, and so it was published under "Andrea Frownfelter." Maybe they would have published it under a different name if I had asked, but I didn't ask, because I was pretty sure the answer would be a resounding "no." I wanted to earn graduation credit for my thesis, and so I used my (then) legal name, the name that would appear on my diploma.

I was already engaged at the time, and knew I would be changing my name soon to "Andrea Arbit." I was slightly worried that it would lead to some confusion, since I planned to use my married name on all future artwork and projects completed after 2011, but I figured it was just the first few paintings of what I hoped would be a long artistic and writing career, and that in the end it wouldn't make much difference.

I didn't realize that my thesis would continue to connect me with people years after graduation. I've been married almost five years now, and graduated from EMU for six years, and in that time I've tried to make a name for myself as "Andrea Arbit." But it is still "Andrea Frownfelter" who is often cited, because that is the name listed as the author of my thesis. Maybe if I knew this would still be coming up six years later, I would've asked EMU if they could publish it under the name "Andrea Arbit." I should've asked. The worst they could've said is no, and just maybe they would've said yes.

Every time I received an email from the people producing the L'Art Erotique series, it was addressed to "Andrea Frownfelter" or "Mrs. Frownfelter" (which was never my name; I was never a "Mrs." when I was a "Frownfelter") or even, once (strangely), "Mrs. DeAndrea." I politely corrected them each and every time.





When I was interviewed in person, I even filled out a form with my name and title as I wanted it to be used in the show. I wrote "Andrea Arbit." None of these instances of telling them my new legal name apparently stuck, because when the episode aired, I was listed as "Andrea Frownfelter."

This was my chance at getting the name "Andrea Arbit" out there - and connecting my new name unequivocally with my thesis paintings, so that there would be no confusion that we were the same person. Instead, they perpetuated and exacerbated the problem, naming me as "Andrea Frownfelter" when that isn't a name I've used for any of my art or writing since 2011.

Honestly, every time I think about it again I get a little angrier. If I had wanted to continue to be known as "Andrea Frownfelter" I would have used that name. I do not use that name anymore, and told them so many times. They did not respect my wishes.

I feel a little weird complaining about it, because I feel like it's the opposite problem that many women have. I hear more stories of women who do not want to change their name after marriage who are bullied into changing their name anyway, or who are called or addressed by a name that isn't theirs and which they've never taken, just because other people (whether they be strangers or family) can't fathom a woman who would chose to keep her birth name. Instead, I get called by my birth name when I want to be addressed by my married name.

Maybe it just goes to prove that there's no right way to be a woman and have a name, even in contemporary society. Those who don't want to change get shamed at for not changing; those who do want to change but already have something out there with their birth name on it face constant issues with getting other people to acknowledge the new name. It's ridiculous - and it's usually a female-only problem. Women are the only ones routinely expected to change their names (change their identities) throughout their lives. Our choices to deal with this problem are to face scrutiny for keeping our birth names, never marry, or never produce anything before marriage that gets our name known.

I married when I was 22 years old! It's not like I had decades of an illustrious career attached to the name "Andrea Frownfelter." I had one academic paper, which I wrote when I was 21. That was it! What, was I supposed to marry before I graduated just to avoid this problem? Or go through extra red tape to change my legal name without being married, just so I could use the name I wanted to before graduation?

I didn't want to be known as "Andrea Frownfelter" because I didn't particularly like the name. It was nothing against my family; I just didn't like the F sounds. My brother had actually been bullied a lot as a kid by peers substituting other F-words into his last name. ("Fartfelter" and "Frownfarter" probably being the nicer of the possibilities you can imagine). Though I avoided much of this name-calling myself (somehow), knowing how easily kids were changing his name did little to make me want to keep mine. I also didn't like the length. Sometimes it was hard to fit the name on forms. (I pity anyone who has a long first name and a long last name - I can't even imagine!)

I've always wanted to be a writer or an artist, to create things and attach a name to those things, to be known. I played around with pen names as a kid. When I pictured my first published book, I didn't picture it filed under F for Frownfelter. I knew it would be something else. It didn't have to be my real name, but it had to be a name associated with me somehow - a name I'd come up with or decided on, a name that would be my own.

Then I happened to fall in love with someone with the last name "Arbit." It was pretty convenient. It was a shorter name, a name I liked, and a name I thought sounded good with my first name. I thought the alliteration might help with name recognition, and it didn't hurt that it was at the start of the alphabet. I figured I'd use it as my writing name, my artist name, my legal name, and the name everyone would call me.

I always wanted to change my name, and I saw getting married as a wonderful excuse to do so. Not only would it be easy to legally change my name at that time, but (I thought) it would also be easy to socially change it at that time - that everyone would easily accept my decision because it was part of a tradition. In addition, I expected to have kids one day, and wanted to avoid the headache of different last names within the same family. It made sense for me to change my name, and to change it to the name of the person I was marrying. I felt a little weird about it, being a self-proclaimed feminist. But I rationalized away such weirdness by reminding myself that being a feminist is about doing what feels best and most self-empowering for each individual woman, and for me that was changing my name.

I like being "Andrea Arbit." I enjoy the way it rolls of the tongue. I enjoy the way it looks. I enjoy signing it - whether it's just the last name scribbled into the corner of artworks or my first and last names, two capital A's, signing a check or document.

But none of that should even matter. I don't have to give a reason why I want to be known as "Andrea Arbit." If I ask you to do that, why can't that request just be accepted? I owe no explanations. There is no reason for someone to disrespect my wishes and call me by anything else - even if the thesis that brought me into your attention has my last name listed as something different. Why is it so hard to do what someone asks you to do regarding their own identity? It's their identity. They know best. 

I can't even imagine how difficult it must be to be transgender.

All I'm asking for is to be recognized by my changed legal name, which happened almost FIVE YEARS AGO and was acquired in the most privileged, traditional way that it could possibly be acquired, following naming conventions which have been around for literally centuries. And even this I have problems with.

I realize that this is probably just a "lost in translation" or "falling through the cracks" sort of thing - I was emailing and talking to several different people through the process, and most were good about addressing me as "Andrea Arbit" (or simply "Andrea") in further correspondence, once I corrected them. They were also translating back and forth between French and English. I don't think the used the wrong name maliciously or intentionally. Mistakes happen. I get it.

But it's still really disappointing that I was called the wrong name on television, that my artwork was attributed to a name that no longer exists, and that I was denied the opportunity to promote my desired, currently utilized, legal name to a wide audience. I hope their mistake doesn't do too much to hold "Andrea Arbit" back from the recognition she's working hard to earn.


Monday, February 29, 2016

Creative Legacy

I often feel like I'm part of (or trying to be a part of) a long-standing creative legacy. This isn't always a good or easy legacy; there are stereotypes of the "starving artist" and well-known connections between artists and mental health problems, which I'm definitely aware of, often fascinated by, and occasionally worry about (with regards to how such traditions might impact me, how others label me, or the work I create).

But besides the broad legacy of all creative people throughout time and the Western tradition of art and writing, there's also a more personal creative legacy - that of my family.

Like many things, it's hard to tell if it's nature or nurture that might encourage traits like creativity to run in families. Do we like art and writing because of some genetic programing passed down through our families? Or do we like such things because these activities were modeled for us (consciously or not), or because our families encouraged us to read or explore art?

In the case of my family, there isn't a clear person I looked to. None of my relatives have made a living off creating art or writing stories; those who are creative pursued such interests as hobbies rather than their professions. Still, I feel like there are enough people in my family who have such interests that it's worth noting.

My dad currently works as a manager at a print center for DTE Energy in Detroit, but has also held jobs in computer networking. He likes computer hardware and has been known to build computers from scratch. Growing up, he loved photography (this was before the age of digital photography, so we're talking film and darkroom techniques), and did some drawing in his spare time. My grandma tells stories of him holed up in his bedroom listening to The Beatles and practicing drawing portraits. And he also enjoys making videos - photography slide shows and training videos conveying information, both for work and at home.

My mom also had some creative hobbies growing up. She did a lot of sewing and embroidering and has shown me samples of some of the things she made as a teenager.

Perhaps the most obvious example is my grandma (on my dad's side), who over the years has found hobbies in writing poetry, coloring books, sewing, and painting. She has also kept handwritten journals for years (as I do), writing daily.

I also have crafty aunts - one who learned guitar and sings songs and puts on puppet shows for the kids at her church (and who did many craft projects with me and my cousins over the years, including a memorable "Egyptian pharaoh" costume that we created with metallic fabric and painted pistachio shells), and another who is into stamping and paper work, designing and stamping her own Christmas cards every year. These are not blood relatives, but are further examples of how I was encouraged to be creative when I was growing up.

Continuing to look toward relatives not related to me by blood, my husband's family also has some artists. His late great-uncle was a painter (we have a few of his paintings hanging in our house). Even my husband himself is creative - in college, we often spent time writing song parodies, funny Harry Potter-inspired rap lyrics, and exchanging short stories we'd written.

Looking at these examples often does two things for me -

First, it makes me pretty proud that I get to be a part of this creative tradition in my family - and also validates my experience. Theoretically I would be happy acknowledging my artistic or writing inclinations even if no one in my family ever shared similar interests, but because they do I feel like it's okay that I do, too - that indeed I'm meant to like such things, or perhaps have a natural talent for them.

Secondly, it makes me wonder if I'm putting too much significance on my creativity. If it's so common that several of my family members have pursued creative projects as hobbies, then why do I think I'm special? None of them have felt compelled to make their creative interests into a viable career. Am I only kidding myself in thinking that I could actually make money as an artist or a writer? Am I better off keeping my art and writing to myself, as most of my other relatives have done? Or do I just have such doubts because none of my relatives have tried to cultivate their hobbies into careers - and thus have no example to follow, no person to model myself after or pick her or his brain for advice?

I feel like I am often torn between such seemingly contradictory feelings. High self-esteem and low self-esteem. Which one is truer to my real feelings? Am I not so deep or despairing as I think, and only "activate" my low self-esteem so that I feel like I belong with all the artists and writers before me who have suffered with issues in confidence - or because, as a woman, I've been conditioned to downplay success, put others first, and think of certain aspirations as outside of my talents or outside of my reach? Or am I actually more inclined to my anxieties and doubts, and only developed what little (or well-hidden) belief in myself that I do have as a way to compensate for the not-so-great feelings of constantly questioning if I'm "good enough"?

Does it matter which came first? I suspect everyone goes through such fluctuations at different times in their lives - thinking, for example, that they're good enough at art or writing that they might make a career out of it and that such a goal is worth pursuing while also wondering if they're insane for even trying. Perhaps creative people have such fluctuations more often - or anyone else who works in a professional field where so much rides on what critics say and who you can convince to like and purchase your work. Actors. Writers. Musicians. Chefs. Entrepreneurs. There are a lot of unstable jobs out there where you don't always know when your next paycheck is coming - and without that immediate, predictable, and stable monetary validation, it can be hard to balance confidence levels. You have to believe in yourself and your projects - so that you work on them and make it to the next paycheck - but such continual efforts to prove yourself and the worth of your work is also bound to take its toll on self-esteem.

In any case, I am very lucky that I have a family who supports me while I try to figure this creativity thing out. I don't take their support lightly, and am immensely grateful. :) 

Friday, January 22, 2016

Studying Art in College

Art is one of those subjects that you really don't have to go to college to learn - because so much of it is just based on practice and doing some art experimentation every day, there's a lot you can do at home. And with the rising costs of college (at least here in the U.S.), it can start to seem a little futile to go spend all that money (and likely go into debt) to study something that will bring you little job prospects. (The term "starving artist" doesn't exist for nothing.)

Creative writing is another field like this. There's a big debate among contemporary literary writers about the importance of the MFA - some insist that a good MFA program is crucial to learning how to write good stories; others insist that it's not necessary.

I can certainly see both sides. I pursued a BFA in watercolor and graphic design at EMU, and can speak to the great experiences I had there that I wouldn't have gotten anywhere else. Of course, on the other hand, I'm currently writing a novel (without ever having pursued an MFA), and thus hope that I can find success with my writing without going through this step.

A lot of it depends, I think, on your financial situation. Given today's economic climate, I don't know if I'd recommend going into massive debt for either sort of degree. The financial pay out will likely not be worth it. On the other hand, if you have the resources to cover it (or most of it), there are definitely positive aspects to pursuing higher education in a field you love. The networking opportunities (if you take advantage of them) will likely be helpful, as well as opportunities for building up your CV.

My CV would be a lot shorter if I didn't have all my projects at EMU to showcase - from the yearly symposiums I talked about in recent posts to the senior art exhibitions EMU set up in its student and university galleries. Furthermore, because I wanted to graduate with "highest honors," I wrote a senior honors thesis - which has probably given me the most exposure of anything, due to its free availability online. I got to do that interview for the Montreal TV series "L'art Erotique" because the producers found and read my thesis online, and I have also been contacted by others (college students, fellow artists, fellow feminists, etc.) from around the world who have read it.

I was lucky enough to have scholarships to attend EMU, and to have family (my uncle in particular) kind enough to help pay for many of my remaining expenses, including room, board, textbooks, and art supplies. I did accumulate a small amount of debt - but it was small enough that I was able to pay it off soon after graduation (despite having no steady income). I realize this is not the case for everyone (which is why I am hesitant to say "Go to college! It's worth the cost!" without knowing others' specific situations). But I did give a lot of thought to my finances in choosing to attend EMU. I also got accepted into the University of Michigan - a school with a vastly greater reputation, but a higher tuition. It was difficult to turn that down - especially given that many of my high school friends were attending U of M. But U of M did not give me the amount of scholarships EMU was willing to (EMU gave me a full-tuition scholarship for four years), nor did they promise the same sorts of opportunities. At U of M, I would've been a small fish in a big pond. At Eastern, I was a big fish in a small pond. I was guaranteed opportunities to showcase my artwork at the symposiums every year. I chose EMU because I knew it would mean I could skate by with very little debt; if I had chosen U of M, that might've (probably would've been) a different picture.

I do have to say - one of the drawbacks of the amazing opportunities at EMU was that I got a little spoiled. So many things were offered to me without my having to put forth much effort to seek them that I had very little experience scouting opportunities after I graduated, and little confidence to try. College is a beautiful, protective bubble - which is great while you're there, because it gives you room to try new things, figure out what you really want to study, and begin to define who you are. But it's not so great after graduation, because then you're faced with a rude awakening when you enter the real world.

It was harder to stick with art once I didn't have assignments to complete, or quotas or deadlines to meet. I didn't have professors (or anyone else) expecting artistic output from me. It was also harder to find ideas, harder to find critique groups, and harder to find places to show my work or try to sell it. This is also true for writing. Though I didn't take advantage of many creative writing classes in college (I only took one), I'm sure if I'd prioritized it, there would have been greater opportunities to find in college than outside it. Critiques would be built into classes, and fellow writers would be easy to find and befriend. Outside that protective college bubble, none of that is the case anymore.

For awhile, I didn't really try to find places to show my art, or try to network much at all. I just didn't know what to do, or where to start. And so now there's this gap on my CV, between when I graduated in 2010 and when I started trying to put myself and my art out there more this past year. I wish I'd made more connections earlier, talking to local art councils or art galleries. But at least I'm doing it now.




Sunday, January 17, 2016

EMU Symposium (2007)

I was very fortunate with my time at Eastern Michigan University. The year I started there (2006) was the first year they implemented a new "Symposium Undergraduate Research Fellowship" program ("SURF" for short) and before I even took my first class, I received a call from the SURF organizer inviting me to be a part of it. I did not apply, or indeed do anything but register for honors classes and take part in their Presidential Scholarship competition (where I was awarded the "Regent Gold" level scholarship, which included full tuition for four years).

I don't know how the SURF organizer got my name, or why they selected me and the other few incoming freshmen that they did - but I suspect I was one of the few considering an art major who had the academic credentials they were looking for, and perhaps that helped. Many of the other SURFs were in the sciences, or other departments with obvious research-based projects; they were paired up with a faculty member with the understanding that they would develop these research-based projects for their four years at EMU. As an art student, I was given more leeway. Instead of a "research" project, it was decreed that I would be allowed to showcase my art at the annual Undergraduate Symposium. I could choose whichever faculty member I wanted to be my "research mentor," I could essentially choose to do whatever art projects I wanted (even changing my focus every year), and to top it all off I would receive a scholarship, renewable every year.

Some of this scholarship money was roped off for me to use as "expenses" for my project - and was held at the art department office. But because I could argue that almost anything counted as an "art expense," I was able to use even that money for things I really wanted. I used the money to pay for typical art supplies (paint, brushes, pencils), but also Adobe software, mats and frames for my largest watercolors, a really nice digital camera (to help me get the "source photography" I worked from), and even to help fund part of my study abroad trip to Europe in 2008. To continue getting this allowance, all I had to do was 1) make art, and 2) display and talk about that art at the Undergraduate Symposium every March. I did this all four years that I was at EMU (who wouldn't?!).

Freshman year, I was kind of at a loss for what exactly to do for my art project. I was still in all of my intro art classes, and had not yet selected a concentration. (I would eventually go on to do a double concentration in Watercolor and Graphic Design, but Sophomore year, I was actually registered in the Drawing concentration, and as a Freshman I wasn't officially in the art department at all - but still an "undeclared" major.) "Selfies" weren't really a thing yet (this was the 2006-2007 school year), but I was living away from home for the first time and trying to figure out exactly who I was - so self-portraiture seemed like an obvious direction to explore.

I took self portraits of myself with a digital camera (my phone did not take photographs). I played around with Photoshop to alter these photos. And I used some of the photos as source material to make drawings (graphite, ink, charcoal) and paintings (acrylic). Over the course of the year, I amassed several of these self-portraits, and it was these that I displayed at my first ever Undergraduate Symposium in 2007.

Here are some photographs from that display:

A wall of self-portraits ranging from acrylic paintings, ink, charcoal, graphite, and colored pencil drawings, photographs, and Photoshopped images. EMU Symposium 2007.

A printed poster (designed in Adobe Illustrator) that paired an artist statement with text pulled from my journals and a collage of photographs.

I also laid out pages and pages of printed photographs on the table for guests to flip through if they wished.

Here I am (the blonde) showing the display to my husband (to my left, who was my boyfriend at the time - we had just started dating a few weeks prior) and his college roommate (to my right, who also happened to be one of my closest friends from middle school/high school - which is, in fact, how I met my husband).


The truth is, I used a variety of media and played around with a variety of lighting techniques and poses in the source photographs because I was experimenting. I didn't have a plan; my goal wasn't "to showcase a variety of emotions" or to show how one's opinion of oneself can change from one month to the next (or one day to the next, or one hour to the next) - though that is how I discussed this oeuvre at the symposium. I created a body of work - which included a lot of experiments and mistakes - and then came up with a narrative to explain the choices I made.

I feel like that often happens to artists. They go along making their art and then someone wants to understand an "overarching theme" or make an exhibition of work, and a narrative is created that might not have been conscious on the artist's part during the actual creation of the works. Art exists (people exist), and then later, that art (those people) are labeled and put into boxes.

I was encouraged by my research faculty mentor, one of my drawing teachers, to include everything - even the ones I wasn't as pleased with - because they worked together as a whole. She was a very positive person and wanted me to feel able to make mistakes. I think I grew a lot that year - in general, living away from home and trying to figure out who I was in college, but also as an artist and a self-confident person, and I credit my faculty member and the SURF program for helping me do that.